William Alwyn

William Alwyn, CBE, born William Alwyn Smith [1] (November 7, 1905 – September 11, 1985) was an English composer, conductor, and music teacher. William Alwyn was born in Northampton where he showed an early interest in music and began to learn to play the piccolo. At age 15 he entered the Royal Academy of Music in London where he studied flute and composition. He was a virtuoso flautist and for a time was the principal flautist of the London Symphony Orchestra. Alwyn served as professor of composition at the Royal Academy from 1926 to 1955. William Alwyn had a remarkable range of talents. He was a distinguished polyglot, poet, and artist, as well as musician. His compositional output was varied and large and included five symphonies, four operas, several concertos and string quartets. Alwyn wrote over 70 film scores from 1941 to 1962. His classic film scores included Odd Man Out, Desert Victory, Fires Were Started, The History of Mr Polly, The Fallen Idol and The Black Tent. Alwyn could be considered a late Romantic composer whose style is not dissimilar to, for example, William Walton. He relished dissonance, and devised his own alternative to twelve-tone serialism, explained in his own programme note to his Third Symphony (1956): "the twelve notes used in a different way – in a tonal manner". Eight notes of the possible twelve are used in the first movement, with the remaining four (D, E, F, and A-flat) constituting the middle movement, and all twelve being combined for the finale. (The composer adds "This all sounds very complicated, but I don’t think you will find it a difficult work to listen to.") Alwyn's concerto for harp and string orchestra, Lyra Angelica, became popularly known when figure skater Michelle Kwan performed to it at the 1998 Winter Olympics. William Alwyn lived at 'Larkrise", Dunwich Road, Blythburgh, Suffolk and died in Southwold, Suffolk, England in 1985. He was survived by his second wife, the composer Doreen Carwithen. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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2 Irish Pieces: No. 1. From the Countryside
Prelude
3 Winter Poems: No. 3. Serenade, Snow Shower
Symphony No. 1: II. Allegro leggiero
Autumn Legend
5 Preludes: No. 4. Andante con moto
Fancy Free: III. Twilight
The Magic Island
Harp Concerto, Lyra Angelica: I. Adagio
String Quartet No. 10 En voyage: I. Departure: Adagio e dolente
Haze Of Noon, For Piano
Naiades
Pastoral Fantasia
Lyra Angelica: I. Adagio
Miss Julie, Act I Scene 1: Midsummer Night, O, Night of Magic
Sonata all Toccata, mvmt. II. Andante con moto e semplice (Ashley Wass)
Tragic Interlude
Harp Concerto, Lyra Angelica: III. Moderato
Alwyn: Suite for Oboe and Harp: I. Minuet
Symphony No. 3: II. Poco adagio
Haze of Noon
Symphony No. 3: I. Allegro molto
Sonata alla Toccata: II. Andante con moto e semplice
Prelude and Fugue on an Indian Scale: Fugue
Sonata alla Toccata: III. Molto vivace
Harvest Home: III. Harvest Moon
Fancy Free: I. Sunday Morning
Harp Concerto, Lyra Angelica: IV. Allegro jubiloso
Harp Concerto, Lyra Angelica: II. Adagio ma non troppo
Alwyn: Suite for Oboe and Harp: III. Jig
Clarinet Sonata
Sonata alla toccata: I. Maestoso - Allegro ritmico e jubilante
The Magic Island : The Magic Island
Alwyn: Suite for Oboe and Harp: II. Valse Miniature
Concerto grosso No. 2: II. Adagio ed espressivo
Symphony No. 1: IV. Allegro jubilante
The Sea is Angry
Symphonic Prelude, The Magic Island
Cricketty Mill
The Trees are Heavy with Snow
Harvest Home: I. The Tinker's Tune
Overture to a Masque
Symphony No. 1: I. Adagio
Green Hills
Festival March
Harp Concerto, Lyra Angelica: II. Adagio, ma non troppo
CRIMSON PIRATE, THE - Pirate Capers Overture
Cricketty Mill, For Piano
Lyra Angelica: II. Adagio, ma non troppo
12 Preludes: No. 1 in E-Flat Major

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