Nigel North

Nigel North (born 5 June 1954) is an English lutenist and guitarist. He studied guitar on a scholarship to the junior department of the Guildhall School of Music and Drama (1964-70), taking up the lute in 1969, at the age of 15. He maintains he was more or less self-taught on the instrument. He went on to study at the Royal College of Music from 1971 to 1974: classical guitar with John Williams and Carlos Bonnel, viola da gamba with Francis Baines; lute (one term) with Diana Poulton, qualifying in 1974 with an A.R.C.M. diploma in lute performance. He completed his studies on the postgraduate course in Early Music at the Guildhall School of Music and Drama 1975-1975 and with one month's study with baroque lutenist Michael Schäffer in 1976. Overlapping his student years, in 1975 he was appointed Professor of Lute at the Guildhall School for Music and Drama, a position he held until 1996. From 1993 to 1999 he was Professor of Historical Plucked Instruments at the Hochschule der Künste, Berlin, Germany. From January 1999 he has been Professor of Lute at the Early Music Institute, Jacobs School of Music, Indiana University and, from January 2005, has taught the lute at the Royal Conservatory of The Hague, Holland. His recording life began in the mid-1970s; while studying at music college, he played viol, cittern, rebec and violin as well as his more usual instruments, lute, theorbo, mandolin and baroque guitar on recordings with some of the English pioneers of early music of that time, such as David Munrow with The Early Music Consort and Alfred Deller with The Deller Consort. From 1974 to 1990 Nigel North played in baroque operas, baroque orchestras and chamber groups and accompanied singers in concerts, participating in over 100 recordings. With Andrew Manze (violin) and John Toll (harpsichord) he formed the ensemble Romanesca in 1988; they played together for the next 10 years. His solo lute debut was a Bach programme at the Wigmore Hall in 1977; in 1985 he performed all of Bach's lute works for the first time in London. Numerous recitals and recordings followed and from 1984 to 2001 he toured worldwide. He has made transcriptions for lute of Bach's solo violin works and solo cello suites, which he has performed at the Wigmore Hall and recorded on a 4 CD set, Bach on the Lute (1994-1998). He has published an edition of these transcriptions for lute tablature, classical guitar and staff notation. Other notable recordings include the complete lute works of John Dowland (4 CDs on Naxos Records), and a series of CDs of music by 17th-century French lutenists. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

lute Classical early music renaissance baroque



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Le secret des muses: Gaillarde
Le secret des muses: Fantasye sur la passameze d'Italie
Le secret des muses: Volte de la complainte
Le secret des muses: Les pantalons
Galliard In G Minor, P. 22, Dowland's First Galliard
Le secret des muses: Fantasye
Le secret des muses: Bourrée d'Avignon
Le secret des muses: Une jeune fillette
Le secret des muses: Prelude
Come Away, P. 60 (Arr. of Come Again, Sweet Love Doth Now Invite, New Version By N. North)
Le secret des muses: Courante de la complainte
Le secret des muses: Gaillarde du comte essex
O Solitude! Z.406
Madonna Mia Pieta
Lachrimae Pavan, P. 15
Dowland's Tears (arr. N. North of I Saw My Lady Weep)
Le secret des muses: Ballet
Galliard to Lachrimae, P. 46
Lachrimae (alternative version)
Le secret des muses: Passameze par bequare
Suite in E Major, BWV 1006a: I. Prelude
Le secret des muses: Pavanne en forme de complainte
Le secret des muses: La mendiante fantasye
Le secret des muses: Courante
Pavan in G Minor, P. 16
Pavan in G Minor, P. 18
Sir Henry Umpton's Funeral, H. 9 (arr. for Lute)
Le secret des muses: Carillon de village
Greensleeves
Le secret des muses: Onse Vader in Hemelryck
The Earl of Essex, His Galliard, P. 42, Can She Excuse
Le secret des muses: Onder de Lindegröne
Galliard in G Minor, P. 30
M. Giles Hobie's Galliard, P. 29
Captain Digorie Piper's Galliard, P. 19
Sir John Langton's Pavan, P. 14a
Piper's Pavan, P. 8
Prelude in C Minor, BWV 999
Galliard In D Major, P. 24, Awake Sweet Love, Thou Art Returned (New Version By N. North)
Dowland's Adieu for Master Oliver Cromwell (arr. for Lute)
Suite in E Major, BWV 1006a: V. Bouree
Partita in G Minor: No. 5. Sarabande
Semper Dowland semper dolens, P. 9
Suite in E Major, BWV 1006a: II. Loure
Suite in E Major, BWV 1006a: III. Gavotte en Rondeau
Suite in E Major, BWV 1006a: VI. Gigue
Suite in E Major, BWV 1006a: IV. Menuets 1 & 2
Dowland's Tears (Arr. No. North of I Saw My Lady Weep)
Mr Langton's Galliard: Mr. Langton's Galliard, P. 33
Overture in B-Flat Major

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