Kaikhosru Shapurji Sorabji

Kaikhosru Shapurji Sorabji (14th August 1892-15th October 1988) was a pianist, music journalist, and composer of mixed Parsi and Spanish-Italian/Sicilian descent, who was born and lived in Epping, Essex, England. Although born Leon Dudley, he strongly identified with his Parsi heritage, rather than with his British birth. His works were influenced by Charles-Valentin Alkan, Ferruccio Busoni (to whom his second piano sonata is dedicated), Leopold Godowsky, Max Reger, Karol Szymanowski, Alexander Scriabin, and Frederick Delius. He was a friend of Philip Heseltine (Peter Warlock) and became a music journalist in part because of their friendship. Describing the music of Sorabji is not an easy task because of its uniqueness. One could describe it as neo-romanticism with a pantonal vocabulary. His work Opus Clavicembalisticum (1930) for solo piano takes about four and a half hours to play, and consists of three sections each divided into several movements. It was once listed in the Guinness Book of Records as the longest piano piece ever written. However Sorabji's Symphonic Variations, which occupies 500 pages of manuscript, takes even longer — about six hours Characteristic of his work is the use, inspired by Busoni, of baroque forms — chorale prelude, passacaglia, and fugue — with harmonies, melodies, and approaches that are not neoclassical as usually understood. Many pianists have tackled Sorabji's enormously difficult works. Such pianists include Michael Habermann, Donna Amato, John Ogdon, Jonathan Powell, and Marc-André Hamelin. Kevin Bowyer is noted for premiering his "impossible" organ symphony in the late 1980s, over sixty years after its composition. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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100 Transcendental Studies: No. 18: Liscio. Tranquillamente scorrevole
Op. Clavicembalisticum: I. Introito
Fantaisie Espagnole, KSS 19
Preludio-Corale
Op. Clavicembalisticum: II. Preludio-Corale (Nexus)
100 Transcendental Studies: No. 1: Mouvemente
IV. Fantasia
2 Piano Pieces, KSS 17: No. 1, In the Hothouse
100 Transcendental Studies: No. 2: Vivace e leggiero
Op. Clavicembalisticum: III. Fuga I Quatuor Vocibus
I. Introito
100 Transcendental Studies: No. 4: (Scriabinesco)
100 Transcendental Studies: No. 3: —
Sequentia cyclica, super dies iræ, KSS 71: Theme
Op. Clavicembalisticum: IV. Fantasia
100 Transcendental Studies: No. 5: Staccato e leggiero
100 Transcendental Studies: No. 7: Leggiero abbastanza
100 Transcendental Studies: No. 6: —
100 Transcendental Studies: No. 9: Staccato e Leggiero
2 Piano Pieces, KSS 17: No. 2, Toccata
introito
100 Transcendental Studies: No. 8: —
Op. Clavicembalisticum: V. Fuga II Duplex
Le jardin parfumé
I. Inroito
Le jardin parfumé, KSS 35
100 Transcendental Studies: No. 10: Con Brio Ed Impeto - Volante
II. Preludio-Corale (Nexus)
100 Transcendental Studies: No. 12: Leggiero Quasi 'saltando'
100 Transcendental Studies: No. 11: (Animato Abbastanza)
No. 12: Leggiero quasi 'saltando'
100 Transcendental Studies: No. 13: —
100 Transcendental Studies: No. 20: Con fantasia
III. Fuga I
X. Cadenza II
No. 4: (Scriabinesco)
3 Pastiches for Piano, KSS 31: No. 1, Hindu Merchant's Song (After Rimsky-Korsakov's Sadko)
Valse-Fantaisie, KSS 40 Hommage à Johann Strauss
Sequentia cyclica, super dies iræ, KSS 71: I. Vivace
Prelude
Cadenza I
No. 11: (Animato abbastanza)
No. 2: Vivace e leggiero
100 Transcendental Studies: No. 14: Tranquillamente soave
fantasia
No. 7: Leggiero abbastanza
100 Transcendental Studies: No. 19: Saltando e leggiero
100 Transcendental Studies: No. 22: Leggiero volante e presto assai
No. 5: Staccato e leggiero
V. Fuga II duplex

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