Grażyna Bacewicz

Grażyna Bacewicz (February 5, 1909 in Łódź – January 17, 1969 in Warsaw, Poland) was a Polish composer and violinist. She was the first Polish female composer to achieve national and international recognition. Her father and brother Vytautas were Lithuanian and used the last name Bacevičius, the other brother Kiejstut was Polish. Her father, Wincenty Bacewicz (lith. Vincas Bacevičius), gave Grażyna her first piano and violin lessons. In 1928 she began studying at the Warsaw Conservatory, where she initially took violin and piano classes, and graduated in 1932 as a violinist and composer. She continued her education in Paris, having been granted a stipend by Ignacy Jan Paderewski to attend the École Normale de Musique, and studied there in 1932-33 under the guidance of Nadia Boulanger. At the same time she took private violin lessons with Henri Touret. Later she also left France in order to learn from the Hungarian violinist Carl Flesch. After completing her studies, Bacewicz took part in numerous events as a soloist, composer, and jury member. During the 1930s, she was the principal violinist of the Polish Radio orchestra, which was directed then by Grzegorz Fitelberg. This position gave her the chance of hearing a lot of her own music. During World War II, Grazyna Bacewicz lived in Warsaw, continued to compose, and gave underground secret concerts (premiering her Suite for Two Violins). Bacewicz also dedicated time to family life. She was married in 1936, and gave birth to a daughter, Alina Biernacka, a recognized painter. After the war, she took up the position of professor at the State Conservatory of Music in Łódź. At this time she was shifting her musical activity towards composition, tempted by her many awards and commissions, and it finally became her only occupation in 1954 after serious injuries in a car accident. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Violin Concerto No. 3: III. Vivo
Violin Sonata No. 3: III. Scherzo: Vivo
Concerto For String Orchestra: I. Allegro
String Quartet No. 4: I. Andante - Allegro moderato
Oberek (1951)
Overture For Symphonic Orchestra
Piano Quintet No. 1: I. Moderato molto espressivo
Oberek No. 1 - Musical Moments
Concerto For String Orchestra: III. Vivo
Sonata No. 2 for Piano: Largo
Concerto For String Orchestra: II. Andante
Overture
Symphony for String Orchestra: I. Allegro ma non troppo
Oberek No. 1
Piano Sonata No. 2: II. Largo
Piano Quintet No. 1: IV. Con passione
Kaprys Polski (Polish Capriccio)
Violin Concerto No. 3: I. Allegro molto moderato
Symphony No. 4: III. Scherzo. Vivace
Sonata No. 2 for Piano: Maestoso
Sonata No. 2: Largo
String Quartet No. 2: I. Allegro ma non troppo
Sonata No. 2 for Piano: Toccata
Violin Concerto No. 1: I. Allegro
Sonata No. 2: Maestoso
String Quartet No. 4: II. Andante
Piano Quintet No.2: 1. Moderato
Piano Quintet No.1: 1. Moderato molto espressivo
String Quartet No. 4: III. Allegro giocoso
Piano Quintet No.1: 2. Presto
Symphony No. 3: III. Vivace
Violin Sonata No. 4: I. Moderato
String Quartet No. 3: I. Allegro ma non troppo
Piano Quintet No. 1: III. Grave
Piano Quintet No. 1: II. Presto
Sonata No. 2: Toccata. Vivo
Piano Quintet No. 1: II. Scherzo
Piano Quintet No.1: 3. Grave
String Quartet No. 1: I. Moderato - Più mosso
Violin Sonata No. 1, da camera: I. Largo
String Quartet No. 3: II. Andante
String Quartet No. 3: III. Vivo
Violin Sonata No. 4: II. Andante Ma Non Troppo
Symphony No. 3: II. Andante – Un poco più mosso – Tempo I
III. Vivace
Piano Quintet No.1: 4. Con Passione
BACEWICZ Concerto for String Orchestra: I. Allegro
String Quartet No. 1: II. Tema con variazioni
Symphony for String Orchestra: II. Adagio
String Quartet No. 1: III. Vivo

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