Bruno Procopio

Bruno Procopio is rapidly becoming one of the most prominent harpsichordists of the new generation. Born in Brazil in 1976, Mr. Procopio began his musical studies in Rio de Janeiro with Marcello Fagerlande and Pedro Personne. In 1994, his exceptional talent brought him to France, where he entered the harpsichord class of Noëlle Spieth, at the Conservatoire National Régional de Paris, obtaining his diploma soon after. In 1996 he gained admission to the prestigious Conservatoire Supérieur de Musique de Paris, where he studied the harpsichord with Christophe Rousset and Pierre Hantaï, chamber music with Blandine Ranou and Kenneth Weiss, and pianoforte with Patrick Cohen. He graduated in 2001 with first prizes in harpsichord and continuo performance. In 2004 Mr. Procopio created the ensemble Les Solistes du Palais Royal. One of his primary objectives is to promote the works of major Brazilian composers of the colonial period. He collaborates actively with musicologists in his native country to create original, exciting programs which reunite the lesser known masterpieces of the new world with those of their celebrated European contemporaries. Bruno Procopio is the artistic director of the Early Music Festival of Paraty in Brazil. Bruno Procopio founded the Paraty label in 2006, with the support of Intégral Distribution, in order to explore, on period instruments, the rich repertory of baroque and classical music. The first release for the label is vol. 2 of the Bach Partitas, continuing a project started by Bruno Procopio in 2004. The first volume of the Partitas was very well received by music critics, with five stars from Diapason magazine, and a critic from Fanfare magazine listing it as one of the five best Baroque CDs of the year in USA. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

baroque clavecin harpsichord baroque or early early music performer



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Sonata for viola da gamba and harpsichord No. 2 in D Dur, BWV. 1028 : III. Andante
Sonata for viola da gamba and harpsichord No. 3 in G Moll, BWV. 1029 : I. Vivace
Italian Concerto in F-Dur, BWV. 971 : II. Andante
Les baricades mystérieuses, Sixième ordre: Rondeau
Partita n° 6 pour clavecin, BWV 830: VII. Gigue
Partita n° 5 pour clavecin, BWV 829: I. Praeambulum
Partita n° 6 pour clavecin, BWV 830: IV. Air
Partita n° 2 pour clavecin, BWV 826: I. Sinfonia
Partita n° 5 pour clavecin, BWV 829: VI. Passepied
Partita n° 5 pour clavecin, BWV 829: VII. Gigue
Partita n° 2 pour clavecin, BWV 826: IV. Sarabande
Partita n° 6 pour clavecin, BWV 830: II. Allemanda
Partita n° 6 pour clavecin, BWV 830: I. Toccata
Partita n° 2 pour clavecin, BWV 826: II. Allemande
Partita n° 2 pour clavecin, BWV 826: VI. Capriccio
Partita n° 6 pour clavecin, BWV 830: VI. Tempo di Gavotta
Partita n° 6 pour clavecin, BWV 830: III. Corrente
Partita n° 6 pour clavecin, BWV 830: V. Sarabande
Partita n° 5 pour clavecin, BWV 829: IV. Sarabande
Partita n° 5 pour clavecin, BWV 829: III. Corrente
Partita n° 2 pour clavecin, BWV 826: III. Courante
Partita n° 2 pour clavecin, BWV 826: V. Rondeaux
Sonata for viola da gamba and harpsichord No. 2 in D Dur, BWV. 1028 : I. Adagio
Partita n° 5 pour clavecin, BWV 829: V. Tempo de Minuetta
Sonata for viola da gamba and harpsichord No. 2 in D Dur, BWV. 1028 : II. Allegro
Partita n° 5 pour clavecin, BWV 829: II. Allemande
Goldberg Variations, BWV 988: Aria da Capo e fine
Sonata for viola da gamba and harpsichord No. 2 in D Dur, BWV. 1028 : IV. Allegro
Italian Concerto in F-Dur, BWV. 971 : I. -
Italian Concerto in F-Dur, BWV. 971 : III. Presto
Suite for Solo Cello No. 5, BWV. 1027: I. Prélude
Sonata for viola da gamba and harpsichord No. 3 in G Moll, BWV. 1029 : II. Adagio
Deuxième Suite : I. Prélude, Gravement
Sonata for viola da gamba and harpsichord No. 1 G Dur, BWV. 1027 : I. Adagio
Sonata for viola da gamba and harpsichord No. 1 G Dur, BWV. 1027 : III. Andante
Sonata No. 2 in E-Flat Major, BWV. 1031: II. Siciliana
Deuxième Suite : IV. La Chemise blanche, Tres Vite
Sonata for viola da gamba and harpsichord No. 1 G Dur, BWV. 1027 : II. Allegro ma non tanto
Sonata for viola da gamba and harpsichord No. 1 G Dur, BWV. 1027 : IV. Allegro Moderato
Première Suite : I. Prélude, Gravement
La Garnier, second ordre: Modérément
La Manon, premier ordre: Vivement
Sonata for viola da gamba and harpsichord No. 3 in G Moll, BWV. 1029 : III. Allegro
Les ondes, cinquième ordre: Rondeau
Première Suite : II. Allemande légere
Deuxième Suite : II. Fuguette
Les goûts-réunis ou nouveaux concerts, quatorzième concert et dernier de cét œuvre : IV. Fuguète
Deuxième Suite : III. Pompe funèbre, Tres Gravement
L'himen-amour, seizième ordre : I. première partie
Le Tic-Toc Choc ou les Maillotins, dixhuitiéme ordre: légèrement, et marqué Rondeau

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